Siha Tooskin Knows the Sacred Eagle Feather is part of the Siha Tooskin Knows early chapter book series by Charlene Bearhead, Wilson Bearhead, a Nakota Elder and Wabamun Lake First Nation community member in central Alberta (Treaty 6 territory) and the recent recipient of the Canadian Teachers’ Federation Indigenous Elder Award; and illustrated by Chloe Bluebird Mustooch, of Alexis Nakoda Sioux Nation of Northern Alberta.
Traditional, National, and International Law and Indigenous Communities is edited by Marianne O. Nielsen and Mississippi Choctaw Karen Jarratt-Snider. The research in this volume focuses on the resurgence of traditional law, tribal-state relations in the United States, laws that have impacted Native American women, laws that have failed to protect sacred sites, the effect of international conventions on domestic laws, and the role of community justice organizations in operationalizing international law.
Our Hearts Are As One Fire by Jerry Fontaine is a vision shared. A manifesto. This remarkable work draws on Ojibway-, Ota’wa-, and Ishkodawatomi-Anishinabe world views, history, and lived experience to develop a wholly Ojibway-Anishinabe interpretation of the role of traditional leadership and governance today. Taking as his starting point the idea that Anishinabeg need to reconnect with non-colonized modes of thinking, social organization, and decision making in order to achieve genuine sovereignty, Jerry Fontaine (makwa ogimaa) looks to historically significant models.
Spirit Bear: Honouring Memories, Planting Dreams is an award-winning picture book in the Spirit Bear series written by Order of Canada recipient Cindy Blackstock (Gitxsan Nation) and illustrated by Amanda Strong (Michif). In this story Spirit Bear is on his way home from a sacred ceremony when he meets Jake, a friendly dog, with a bag full of paper hearts attached to wood stakes.
Ikwe: Honouring Women, Life Givers, and Water Protectors is by Jackie Traverse who is an Anishinaabe (Ojibwe) multi-disciplined artist working in video, sculpture, mixed media, and paint. She is known across Canada for her powerful, beautiful art. She is also the founder of Indigenous Rock the Vote and Ikwe Safe Ride, a ride-sharing network offering safe rides for Indigenous women. Ikwe celebrates the spiritual and ceremonial aspects of women and their important role as water protectors.
In this journal, Diana Frost invites you to discover the beauty of Indigenous artwork from various artists across Canada, to learn traditional teachings from John Sinclair, while having the space to meditate, write and create, and knowing that you are supporting Indigenous community projects.
Empire of Wild by Cherie Dimaline, Metis, is the story of Joan on her way to Arcane in the Georgian Bay area by way of New Orleans with Victor., the love of her life. The Rogarou has been seen on the roads near Arcane and is the topic of conversation around the kitchen table with Joan’s grandmother, mother, aunties and cousins and is to be avoided at all costs. When Victor goes missing after an argument with Joan she becomes depressed but doesn't give up her search for him. It's when she steps inside a revival tent that she gets her biggest break.
St. Paul’s H.M. Royal Chapel of the Mohawk: The Chapel’s Place in Six Nations History 1710-2016 by W. Barry Hill is a description of the first Protestant church in Canada and now the oldest surviving church in Ontario. A brief history of the church describes the architecture, support, layout, location and funding for the Chapel. In the chapters that follow religious furnishings and appointments, construction and renovations over time and a visual history of the stained-glass windows lead to a discussion of the Chapel in the modern era.
Crow Winter by Karen McBride, Algonquin Anishinaabe from Timiskaming First Nation in the territory that is now known as Quebec, is a story about trickster and Hazel Ellis. Returning home to Spirit Bear Point First Nation, Hazel dreams of an old crow. A new job at the Band office introduces her to evidence that will prove useful as she tries to unravel a complicated land issue involving family and historic records. Nanabush, her mother, Gus, Mia, Joni, Robby and Thomas are the links between her life, family and home and the Medicine Wheel.
77 Fragments of a Familiar Ruin by Thomas King (Cherokee and Greek), an award winning novelist, short story writer, scriptwriter, and photographer, presents his first collection of poems. In 77 Fragments of a Familiar Ruin, Thomas King uses 77 poems to delve into personal, historical and contemporary issues that have affected Indigenous peoples. He does this through his interpretation of Creation stories. The poems reflect and often refer to previous poems as the past, present, future, past... and so critiques the circularity of past and contemporary issues.