(Re)Generation: The Poetry of Kateri Akiwenzie-Damm, is written by Kateri Akiwenzie-Damm, an Anishinaabe writer, poet, spoken-word performer, librettist, and activist of mixed ancestry from the Chippewas of Nawash Unceded First Nation, Saugeen Ojibway Nation. She is the founder and Managing Editor of Kegedonce Press which was established in 1993 to publish the work of Indigenous creators. (Re)Generation is edited by Dallas Hunt, Cree, and a member of Wapsewsipi (Swan River First Nation) in Treaty 8 territory in Northern Alberta.
From the Roots Up is the second volume in the Surviving the City series by Tasha Spillett-Sumner (she/her/hers who draws her strength from both her Nehiyaw and Trinidadian bloodlines, and illustrated by Natasha Donovan (she/her/hers) a self-taught illustrator from Vancouver, British Columbia. In From the Roots Up, Dez and Miikwan’s stories continue. Dez’s grandmother has passed away. Grieving, and with nowhere else to go, she’s living in a group home.
In Good Relation: History, Gender, and Kinship in Indigenous Feminisms, edited by Sarah Nickel, Secwépemc, and Amanda Fehr is divided into three thematic sections: Broadening Indigenous Feminisms looks beyond established categories and spaces to consider historical expressions of Indigenous feminism, transnational and regional experiences, violence, representation, and resistance; Queer, Two-Spirit, Transgender Identities and Sexuality envisions Indigenous feminism as a concept with wide ranging applicability through intersections with Indigenous queer studies; and, Multi-generational Femin
Assembling Unity, Indigenous Politics, Gender, and the Union of British Columbia Indian Chiefs (UBCIC) by Sarah Nickel begins with the establishment of the UBCIC in 1969 at Tk’emlups te Secwepemc at the Kamloops Indian residential school with the assembly of 150 delegates. This was the first meeting of 200 First Nations bands in what is now British Columbia. UBCIC was therefore a pan-Indigenous political organization in united support against the White Paper introduced the same year by Pierre Trudeau, proposing to abolish the Indian Act, terminate treaties, and eliminate special status.
In Men, Masculinity and the Indian Act, Martin Cannon, Onyota’a:ka (Oneida Nation) Turtle Clan, is about the inter-relationship between sexism and racialization. This book focuses on the impact of the Indian Act on the divisibility of Indigenous women into either/or ‘women’ or ‘Indians’. It also focuses on the collectivity of “Indians” in this Act, which affects men, women, two-spirit, transgendered or gay people.
Mamaskatch: A Cree Coming of Age Story, the engaging, honest and thought provoking memoir by Cree author Darrel J McLeod is the 2018 Governor General English Literary Award winner for non-fiction. Mamaskatch —named for the Cree word used as a response to dreams shared—is ultimately an uplifting account of overcoming personal and societal obstacles.
Indigenous Men and Masculinities: Legacies, Identities, Regeneration highlights voices of Indigenous male writers, traditional knowledge keepers, ex-gang members, war veterans, fathers, youth, two-spirited people, and Indigenous men working to end violence against women. It offers a refreshing vision toward equitable societies that celebrate healthy and diverse masculinities. What do we know of masculinities in non-patriarchal societies?
Masculindians: Conversations About Indigenous Manhood by Sam McKegney is based on his interviews with leading Indigenous artists, critics, activists, and Elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car driving down the 401, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations. Twenty discussions are contained in this volume. These intensely personal accounts speak across generations, geography, and gender boundaries.