The McDonalds: The Lives & Legends of a Kaska Dena Family by Allison Tubman (Kaska Dena) is a photography book with accompanying text of The McDonalds from the northeast region of British Columbia. This book chronicles the McDonalds family in photos and stories contributed by family and friends, organizations, business owners, and historical societies. First Nation bands and Chiefs and Councils have also contributed to the success of this book. The McDonalds is a chronology of the lives of Old Man Sean McDonald and Ah-Soo and their fourteen children.
Sus Yoo / The Bear's Medicine is written and illustrated by Clayton Gauthier and is a dual language children’s book in English and Dakelh. It has been translated by Danny Alexis and Theresa Austin. Like Clayton Gauthier’s The Salmon Run, Sus Yoo / The Bear’s Medicine is part of the Schchechmala Children’s Series published by Theytus Books. This book, through the life of bear, is about sun and light, breath and life, mountains and medicine, water, trees, grass, roots and seasons, stars and the Grandfathers, to name a few.
Canadian Aboriginal Art And Culture: Haida is one of the titles in Smartbook Media’s series, Canadian Aboriginal Art and Culture, published in 2019. Each title in this series provides factual information about a First Nation and is designed for grades five and six. Authors Jennifer Nault and John Willis explain how the Haida Nation have lived and thrived along the Pacific Northwest for more than 8000 years according to archaeologists.
The Hands' Measure: Essays Honouring Leah Aksaajuq Otak's Contribution to Arctic Science, is edited by John MacDonald and Nancy Wachowich. The foreword, A Stitch in Time: Inuktut, Seewing, and Self-Discovery is by Eva Aariak discusses Leah Aksaajuq Otak's lifelong understanding of "the feeling of confidence, balance, and genuine identity we get from an active, ongoing engagement with the culture and language of our grandparents" (Eva Aariak). Nancy Wachowich introduces this book in Leah Aksaajuq Otak: The Measure of a Stitch and the Art of Translation.
Blanket Toss Under Midnight Sun, Portraits of Everyday Life in Eight Indigenous Communities by Paul Seesequasis, nîpisîhkopâwiyiniw (Willow Cree) writer, journalist, cultural advocate and commentator, is a collection of found photographs from archives, libraries and museums. The photographers included in Blanket Toss Under Midnight have relationships with their subject matter.
Canadian Aboriginal Art And Culture: Huron is one of the titles in Smartbook Media’s series, Canadian Aboriginal Art and Culture, published in 2019. Each title in this series provides factual information about a First Nation and is designed for grades five and six. Authors Christine Webster and John Willis explain how the French identified this First Nation as Huron referencing the bristle-like hairstyle of Wendat men. The people called themselves Wendat, meaning people of the peninsula.
Indigenous Life in Canada: Past, Present, Future, Symbolism in Indigenous Arts and Culture is part of a set of 32-page books produced by Red Line Editorial for Beech Street Books and edited by Marie Pearson. Designed for elementary students from grades 4 to 7 the books offer introductions to the history of Indigenous Peoples in the story of Canada: Symbolism in Indigenous Arts and Culture has six chapters. Chapter one discusses An Ancient Practice focusing on symbolism and human cultures, and why Indigenous art matters.
Chasing Painted Horses by Drew Hayden Taylor (Ojibwe) is the story of cold but happy Harry in spite of being destitute due to a negligent and schizophrenic society confused in its understanding of the relationship between Aboriginal peoples and everybody else, in a so-called just, multicultural society. But Harry had talents coming from an oral culture. Ralph from Otter Lake reserve but now a Toronto Police officer meets Harry in curious circumstances. Danielle from Otter Lake reserve, who drew the original Horse on the Everything Wall, goes missing.
Performing Turtle Island: Indigenous Theatre on the World Stage is edited by Jesse Rae Archibald-Barber (Metis/Cree), Kathleen Irwin, and Moira J. Day. Performing Turtle Island cites the TRC Call to Action 83 for Indigenous and non-Indigenous artists to undertake collaborative projects and produce works that contribute to the reconciliation process. Acting on this call the two main parts of this work refer to Critical Self-Representation in Production and Training in part I: and, part II Performance in Dialogue with the Text.