Cry Wolf: Inquest Into the True Nature of a Predator by Harold R. Johnson is a search for the truth. It is part story and part forensic analysis. Cry Wolf examines wolf attacks and how we fail to take wolves seriously at our own peril. This book is also a relationship to the land and with wolves in particular yet Cry Wolf also draws on Indigenous traditional knowledge and wisdom regarding ecology to better understand predators. The introduction outlines the current perspective of predators.
Reclaiming Tom Longboat: Indigenous Self-Determination in Canadian Sport is by Janice Forsyth, Fish River Cree and Peguis First Nation, Manitoba and the 2002 Tom Longboat Regional Award for Ontario at the North American Indigenous Games winner. Reclaiming Tom Longboat documents the history of the Tom Longboat Awards and a new direction for thinking about the awards and their role in reimagining Indigenous involvement in Canadian sports through administrative, statistical and cultural layers.
In writing Loss of Indigenous Eden and the Fall of Spirituality, Blair Stonechild of Cree, Saulteaux, and Métis heritage, and member of the Muscowpetung First Nation, worked with Elders and reflects on his contact with Europeans as a Qu’Appelle Indian Residential School survivor, academic and historian. He has experienced efforts to eradicate Indigenous culture and spirituality first-hand as a residential school survivor and acknowledges this destruction on thousands of survivors unable to speak their language and detached from their culture and practices of spirituality.
The Unexpected Cop: Indian Ernie on a Life of Leadership by Ernie Louttit is the author’s story of his life as a police officer and later as an author and leader. Acknowledging what has been lost and what can still be gained or recovered in traditional learning, Louttit’s adds that young people will be champions of this new learning – oral traditions of storytelling in the midst of new media but what is taken from it will challenge how well we are grounded in what we value and believe.
Performing Turtle Island: Indigenous Theatre on the World Stage is edited by Jesse Rae Archibald-Barber (Metis/Cree), Kathleen Irwin, and Moira J. Day. Performing Turtle Island cites the TRC Call to Action 83 for Indigenous and non-Indigenous artists to undertake collaborative projects and produce works that contribute to the reconciliation process. Acting on this call the two main parts of this work refer to Critical Self-Representation in Production and Training in part I: and, part II Performance in Dialogue with the Text.
In My Own Moccasins: A Memoir of Resilience by Helen Knott, Dane-Zaa and Metis/Cree is a three part memoir in her dreamless void, the in-between and the healing. The memoir follows the life of Helen Knott through her childhood, describing life during school especially after eighth grade, and as a young woman on her red road journey through rape, alcoholism and drug addiction. It is her journey of darkness through which she questions her selfhood, ancestry, faith, and existence.
Kisiskâciwan: Indigenous Voices from Where the River Flows Swiftly, a recent anthology is a significant contribution to Indigenous literature by Indigenous writers and storytellers. 'kisiskâciwan', which means it flows swiftly in Cree is where Saskatchewan derives its name but also expresses the sentiment of the work with the ongoing flow of traditions from past into present. This work is a search for Indigenous oral and written traditions. And while some were found in libraries and archives many others were found through conversations with storytellers, writers, elders, and artists.
This book adds to the growing collection of works on Indigenous epistemologies and focuses on Indigenous Knowledge online, its socio-cultural effects, how ICTs affect relationships among Indigenous Peoples and the flow of power between Indigenous Peoples and the state. Wemigwans makes the distinction between the role of an Elder or Traditional Knowledge Keeper and acquired personal knowledge.
‘No Surrender: The Land Remains Indigenous’ is an analysis of the federal government of Canada’s steadfast wedding to the written texts of Treaties, especially Treaty One to Treaty Seven and their context. Krasowski’s work discusses how the government has reneged on its fiduciary Treaty obligations and done little to reach a common understanding with Treaty First Nations that reflect oral accounts in order to acknowledge the original intent of the Treaty Relationship.