The Trail of Nenaboozhoo and Other Creation Stories is written and illustrated by Isaac Murdoch or Manzinapkinegego'anaabe / Bombgiizhik who is from the fish clan of Serpent River First Nation and a well respected storyteller and traditional knowledge holder; and Christi Belcourt, a Michif (Métis) visual artist with a deep respect for Mother Earth, the traditions and the knowledge of her people. In The Trail of Nenaboozhoo, Nenaboozhoo, the creator spirit-being of Ojibway legend, gave the people many gifts.

The Barren Grounds: The Misewa Saga, is the first book in this epic middle grade fantasy series by author David Alexander Robertson, a member of Norway House Cree Nation. In The Barren Grounds Narnia meets traditional Indigenous stories of the sky and constellations. Morgan and Eli, two Indigenous children forced away from their families and communities, are brought together in a foster home in Winnipeg, Manitoba.

Dakwäkãda Warriors is by Cole Pauls a Tahltan comic artist, illustrator and printmaker from Haines Junction, Yukon Territory. Growing up, Cole Pauls performed in a traditional song and dance group called the Dakwäkãda Dancers and encountered the ancestral language of Southern Tutchone. Dakwäkãda Warriors is a bilingual comic about two earth protectors saving the world from evil pioneers and cyborg sasquatches. In this work Pauls was supported by Elders’ consultation and translation in revitalizing the language.

On pleure pas au bingo par Dawn Dumont (Plains Cree) est traduit par Daniel Grenier. Tout est là : voici la vie sur la réserve, en haute définition. Dawn, la narratrice, revisite sa vie familiale, se replonge dans ses années d’école et s’engage résolument sur la voie de l’avenir. Situé quelque part entre le roman d’apprentissage et le récit autobiographique, On pleure pas au bingo est un livre qui célèbre les différences culturelles et la puissance de la prise de parole par le moyen de ce remède traditionnel et universel qu’est le rire.

Créé dans le cadre d’un projet de Fusion Jeunesse au Nunavik et réalisé par Anorak Studio, ce recueil de sept légendes présente des oeuvres dessinées en partie par des élèves de l’école Innalik d’Inukjuak. Histoires porteuses de sens pour les uns, amusantes ou effrayantes pour les autres, ces légendes sont l’ancrage de la culture inuite, transmise d’une génération à l’autre par la tradition orale.

How I Survived Four Nights on the Ice is written by Serapio Ittusardjuat who was born in a Qarmaq at Akunniq;  and illustrated by Matthew Hoddy. How I Survived Four Nights on the Ice is the harrowing first-person account of Serapio Ittusardjuat's four nights spent on the open sea ice. He had few supplies and no water. This story shows courage, strength and patience as he recounts the traditional knowledge and skills that kept him alive after his snowmobile broke down halfway across the sea ice on a trip back from a fishing camp. There are notes on Inuktitut pronunciation. 

Breakdown is the first book in The Reckoner Rises series by David A. Robertson, Norway House Cree, and illustrated by Scott B. Henderson and Donovan Yaciuk.  Breakdown continues to delivers suspense, adventure, and humour in this stunningly illustrated graphic novel continuation of The Reckoner trilogy. In Breakdown, Cole and Eva arrive in Winnipeg, the headquarters of Mihko Laboratories, intent on destroying the company once and for all. Their plans are thwarted when a new threat surfaces, and Cole is mired in terrifying visions.

From the Roots Up is the second volume in the Surviving the City series by Tasha Spillett-Sumner (she/her/hers who draws her strength from both her Nehiyaw and Trinidadian bloodlines, and illustrated by Natasha Donovan (she/her/hers) a self-taught illustrator from Vancouver, British Columbia. In From the Roots Up, Dez and Miikwan’s stories continue. Dez’s grandmother has passed away. Grieving, and with nowhere else to go, she’s living in a group home.

Apple in the Middle by Dawn Quigley, enrolled member of the Turtle Mountain Chippewa, is published by North Dakota State University Press. This story is set in Minnesota and the Turtle Mountain Chippewa reservation in North Dakota. Apple Starkington’s mother, a member of Turtle Mountain Chippewa, died after giving birth to her. Growing up with her father and stepmother, and living in upper middle-class suburbia, Apple feels like she doesn’t fit in. She has experienced racism at school when she was called a racial slur for someone of white and Native American descent.