The McDonalds: The Lives & Legends of a Kaska Dena Family by Allison Tubman (Kaska Dena) is a photography book with accompanying text of The McDonalds from the northeast region of British Columbia. This book chronicles the McDonalds family in photos and stories contributed by family and friends, organizations, business owners, and historical societies. First Nation bands and Chiefs and Councils have also contributed to the success of this book. The McDonalds is a chronology of the lives of Old Man Sean McDonald and Ah-Soo and their fourteen children.
Injichaag, My Soul in Story is a book of Anishinaabe poetics in art and words by Rene Meshake (Anishinaabe Elder) with Kim Anderson (Cree/ Métis writer and friend). In Injichaag, ‘my soul’, in Anishinaabemowin, Rene Meshake has the power to choose, to desire, and to be angry and so chooses to tell his story through a collection of short pieces of Indigenous literature.
Treaty # by Armand Garnet Ruffo, Ojibwe, is a collection of poems arranged in three parts: Impetus Ungainly, Travelogue Sightline and Boreal Investigative. Each part uses poetry to address historical and contemporary moments broadly related to treaties and inspired by the author's many experiences and writing contexts. Impetus Ungainly, Treaty No.9, begins with a poem, Doctrine of Discovery but with a twist. The Claim, #1: Red Space, #2: White Space, Material World and Red is a Poem are some of the poems in part one.
Crow Winter by Karen McBride, Algonquin Anishinaabe from Timiskaming First Nation in the territory that is now known as Quebec, is a story about trickster and Hazel Ellis. Returning home to Spirit Bear Point First Nation, Hazel dreams of an old crow. A new job at the Band office introduces her to evidence that will prove useful as she tries to unravel a complicated land issue involving family and historic records. Nanabush, her mother, Gus, Mia, Joni, Robby and Thomas are the links between her life, family and home and the Medicine Wheel.
Blanket Toss Under Midnight Sun, Portraits of Everyday Life in Eight Indigenous Communities by Paul Seesequasis, nîpisîhkopâwiyiniw (Willow Cree) writer, journalist, cultural advocate and commentator, is a collection of found photographs from archives, libraries and museums. The photographers included in Blanket Toss Under Midnight have relationships with their subject matter.
Assembling Unity, Indigenous Politics, Gender, and the Union of British Columbia Indian Chiefs (UBCIC) by Sarah Nickel begins with the establishment of the UBCIC in 1969 at Tk’emlups te Secwepemc at the Kamloops Indian residential school with the assembly of 150 delegates. This was the first meeting of 200 First Nations bands in what is now British Columbia. UBCIC was therefore a pan-Indigenous political organization in united support against the White Paper introduced the same year by Pierre Trudeau, proposing to abolish the Indian Act, terminate treaties, and eliminate special status.
77 Fragments of a Familiar Ruin by Thomas King (Cherokee and Greek), an award winning novelist, short story writer, scriptwriter, and photographer, presents his first collection of poems. In 77 Fragments of a Familiar Ruin, Thomas King uses 77 poems to delve into personal, historical and contemporary issues that have affected Indigenous peoples. He does this through his interpretation of Creation stories. The poems reflect and often refer to previous poems as the past, present, future, past... and so critiques the circularity of past and contemporary issues.
Tracing Ochre: Changing Perspectives of the Beothuk is an edited and multi- and inter-disciplinary volume by Fiona Polack. Tracing Ochre is a collaborative work of Indigenous and non-Indigenous thinkers who have a shared conviction that the present conceptions of Newfoundland and Labrador’s Beothuk requires redressing. Colonial mentalities about the Beothuk has created problems for Indigenous Peoples there and between Indigenous and non-Indigenous peoples in Canada as a whole.
The Unexpected Cop: Indian Ernie on a Life of Leadership by Ernie Louttit is the author’s story of his life as a police officer and later as an author and leader. Acknowledging what has been lost and what can still be gained or recovered in traditional learning, Louttit’s adds that young people will be champions of this new learning – oral traditions of storytelling in the midst of new media but what is taken from it will challenge how well we are grounded in what we value and believe.