Frank Shebageget is an Anishinabe artist who uses modernist forms and repetition to critically investigate symbols of Indigenous-settler contact that have personal historical resonance. This publication documents two site-specific sculptural installations and features an essay that considers Shebageget’s use of specific materials and minimalist approach to subvert the homogenizing objectives of colonial history and modernism. This exhibition catalogue documents his self-titled show at Gallery 1C03 University of Winnipeg.