If I Go Missing is a graphic novel based on a letter written by 14 year old Brianna Jonnie to the Winnipeg Police Service. The text of If I Go Missing is by Brianna Jonnie, Ojibwe, with Nahanni Shingoose, Ojibwe and Irish, and art by Neal Nshannacappo, Nakwe (Saulteaux). This graphic novel begins with a quote from the United Nations Declaration on the Rights of Indigenous Peoples and the right of Indigenous women and children to be free from all forms of violence and discrimination.
This Place: 150 Years Retold is a 296-page graphic novel anthology just released in April 2019 by Highwater Press. A graphic anthology with a foreword by Alicia Elliott, that showcases 11 Indigenous writers, eight illustrators, and two colour artists. It presents Canadian history over the last 150 years from multiple viewpoints, including Métis, Inuit, Dene, Cree, Anishinaabe, and Mi’kmaq. The anthology is visually captivating.
Surviving the City written by Tasha Spillett, Nehiyaw (Cree) and Trinidadian, with effective illustrations from Metis artist Natasha Donovan brings the issue of missing and murdered Indigenous women and girls to intermediate and secondary level readers. This 56-page graphic novel in the Debwe Series from Highwater Press presents the story of two teen girls attending an urban high school in Winnipeg.
Pemmican Wars is volume 1 of the new graphic novel series, A Girl Called Echo from Highwater Press. Written by Katherena Vermette and illustrated by Scott Henderson. This young adult graphic novel is written with minimal text making this historical time travel story mixes two time periods as seen through the life story of a young teen named Echo. Echo does not live with her mother and attends a new school where she finds solace in the library. In history class Echo hears the story about the little known Pemmican Wars. Suddenly Echo finds herself transported to this historic event.
Moonshot: The Indigenous Comics Collection, volume 2 is the 2017 anthology of 15 First Nations and Native American storytellers and graphic artists involved in creating graphic novels. Volume 2 centers around present-day indigenous spirituality and tradition. Each of the 15 short stories included in this volume is based on a tradition from the author’s own First Nation or community. These stories highlight present-day traditions, and diversity, in Indigenous peoples today.
First Starters by first-time graphic novel author Jen Storm published in the Debwe Series by Highwater Press. Illustrated in colour by Scott Henderson, this young adult graphic novel tells a story that stresses the importance of always being truthful. Teens from the Agamiing Reserve and the local town find themselves in serious trouble after a thoughtless prank ends with the reserve's gas bar burned down. After finding an old flare gun in his grandmother's garage, one teen proposes Ron and Ben go to the reserve's dump and shoot the flare gun.
Will I See? is a 2016 graphic novel from Highwater Press by David Alexander Robertson. From a story idea by Iskwe and Erin Leslie, the topic of missing and murdered Indigenous women receives a new treatment in this graphic novel. Illustrated in black and white with minimal red splashes on appropriate pages, this difficult story begins with a reader warning that this graphic novel could act as a trigger because of the content about violence against women. It begins with a First Nation teen living in the city with her grandmother.
Secret Path by Gord Downie is now available for purchase from GoodMinds.com. This oversize (30.5 x 0.8 x 30.5 cm; 12 x 12 inches) 48-page graphic novel contains the ten song album by Gord Downie with a graphic novel by illustrator Jeff Lemire that tells the story of Chanie “Charlie” Wenjack, a twelve-year-old boy who died in flight from the Cecilia Jeffrey Indian Residential School fifty years ago.
7 Générations Volume 2 contains the French language edition of David Alexander Robertson's Ends/Begins vol 3 and The Pact vol 4 of the 7 Generations graphic novel series. This graphic novel follows one Plains Cree family from the early 19th century to the present day and tells a story of redemption as residential school survivor James and his son, Edwin reconcile their past and begin a new journey. Edwin is facing an uncertain future.