Canadian Aboriginal Art And Culture: Huron is one of the titles in Smartbook Media’s series, Canadian Aboriginal Art and Culture, published in 2019. Each title in this series provides factual information about a First Nation and is designed for grades five and six. Authors Christine Webster and John Willis explain how the French identified this First Nation as Huron referencing the bristle-like hairstyle of Wendat men. The people called themselves Wendat, meaning people of the peninsula.
Indigenous Life in Canada: Past, Present, Future, Symbolism in Indigenous Arts and Culture is part of a set of 32-page books produced by Red Line Editorial for Beech Street Books and edited by Marie Pearson. Designed for elementary students from grades 4 to 7 the books offer introductions to the history of Indigenous Peoples in the story of Canada: Symbolism in Indigenous Arts and Culture has six chapters. Chapter one discusses An Ancient Practice focusing on symbolism and human cultures, and why Indigenous art matters.
Chasing Painted Horses by Drew Hayden Taylor (Ojibwe) is the story of cold but happy Harry in spite of being destitute due to a negligent and schizophrenic society confused in its understanding of the relationship between Aboriginal peoples and everybody else, in a so-called just, multicultural society. But Harry had talents coming from an oral culture. Ralph from Otter Lake reserve but now a Toronto Police officer meets Harry in curious circumstances. Danielle from Otter Lake reserve, who drew the original Horse on the Everything Wall, goes missing.
Performing Turtle Island: Indigenous Theatre on the World Stage is edited by Jesse Rae Archibald-Barber (Metis/Cree), Kathleen Irwin, and Moira J. Day. Performing Turtle Island cites the TRC Call to Action 83 for Indigenous and non-Indigenous artists to undertake collaborative projects and produce works that contribute to the reconciliation process. Acting on this call the two main parts of this work refer to Critical Self-Representation in Production and Training in part I: and, part II Performance in Dialogue with the Text.
Voices from the Skeena is a collaboration between oral historian Robert Budd and artist Roy Henry Vickers. The Skeena River, the second longest in British Columbia, and called the Xsien or Water of the Clouds by the Tsimshian and Gitksan for the role it plays in their lives, is also the focus of voices of other past inhabitants of the region. In this respect, by the 1800s the river was also home to gold seekers, traders, salmon fishers and other settlers drawn to the region by the area's beauty and natural resources.
Ekpahak, Where the Tide Ends is a dual language art book from the Beaverbrook Art Gallery of New Brunswick. It is one exhibition of their vision of enriching life through art. Ekpahak was co-curated by Mi'kmaq artist Alan Syliboy and Terry Graff, the Gallery's Deputy Director and Chief Curator who surveyed the art of New Brunswick's First Nations artists and Maliseet and Mi'kmaq communities. Their curation was based on a road trip to the province's reserves. Ekpahak was on view from June 21 to August 31, 2009 at the Gallery.