Annie Muktuk and Other Stories includes 16 short stories that deal with the lives of Inuit characters with themes of everyday life, racism, colonialism, illness, rape and abuse at residential school, trauma, love and grief. Characters express their loves, loss, humour, addictions, anger and fears in these simply told stories. Raw dialogue and brutal sexuality, tender scenes of a loving couple are explored in the first person.
Joseph A. Dandurand is a member of Kwantlen First Nation located on the Fraser River about twenty minutes east of Vancouver. He resides there with his three children Danessa, Marlysse, and Jace. Joseph received a Diploma in Performing Arts from Algonquin College and studied Theatre and Direction at the University of Ottawa. Joseph is the Heritage/Lands Officer for his people and has been performing his duties for 20 years now. He has been tasked with protecting his people’s heritage from the many destructive elements of development in the Kwantlen territory.
Bearskin Diary: A Novel is the 2017-2018 title selected as the winner for First Nation Communities READ. Carol Daniels is the author and the publisher is Nightwood Editions. Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women.
Wrist, published by Kegedonce Press, is a scary story told about an Indigenous monster-like creature by author Nathan Niigan Noodin Adler. Nathan Adler is a writer and an artist who works in many different mediums, including audio, video, film, drawing & painting, as well as glass. He is an MFA candidate for Creative Writing from UBC, currently works as a glass artist, and is working on a second novel and a collection of short stories. He is a member of Lac Des Mille Lacs First Nation, and currently resides in Mono, Ontario.
Shannon Webb-Campbell's Still No Word seeks the appearance of the self in others and the recognition of others within the self. Patient, searching, questioning, and at times heartbreaking - these poems reveal the deep past within the present tense and the interrelations that make our lives somehow both whole and unfinished. And though Webb-Campbell is political at times, this is not politics for the sake of politics: here, it's a matter of the human heart. Ranging from reflective to angry, from sensual to humourous, her poetry inhabits that mercurial space between the public and the priv