Pacific Northwest Coast Native Art in Marquetry is an introduction to the art form of marquetry or painting with wood veneers using Pacific Northwest classic design forms. This step-by-step guide by Paul R. Dean provides instructions for reproducing a Nuuchahnulth blue hummingbird design using cutting exercises. Marquetry is the art and craft of applying pieces of wood veneer to a structure to form decorative patterns, designs or pictures.
Ohpikiihaakan-ohpihmeh Raised Somewhere Else: A 60s Scoop Adoptee's Story Of Coming Home is authored by Colleen Cardinal, Nehiyaw Iskwew from Onihcikiskowapowin Saddle Lake First Nation Alberta, daughter of a residential school survivor, 60s scoop adoptee and MMIWG family member and social justice activist organizer.
Policing Indigenous Movements: Dissent and the Security State documents the country’s national security systems and their methods when policing Indigenous activists and organizations as they demonstrate and seek to protect Indigenous territories and resources in the face of government-supported resource extraction. In measures to protect the land, prevent pipeline development and fracking, land and water defenders have created a national discussion about these issues and successfully slowed the rate of resource extraction.
Stories of Oka:: Land, Film, and Literature originally published in French and now available in an English language edition was written by Isabelle St-Amand, an Assistant Professor in the Department of French Studies and the Department of Languages, Literatures, and Cultures at Queen’s University.
Chief Lightning Bolt is a fascinating historical fiction novel of the Mi'kmaq written by renowned Mikmaw historian and activist Daniel N. Paul. Best known for his account of the Mi'kmaq, We Were Not the Savages, this novel gives readers an account of the people and their worldview during the fifteenth century just prior to the onslaught of European military and settlers to their homeland.